43/84: 1984

“Sequences of space-time manipulation that raise the problem of continuity in the shot.” - Yo Ota

“My attempt at a filmic interpretation of Haraguchi Noriyuki’s ‘Inclined Horizon,’ a three-dimensional physical work featured...

“This film was made for an event that included an exhibition of artwork by Eishi Yamatomo. Yamatomo’s metal sculpture is often finished...

The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by...

“Peter Kubelka…was teaching at Staatliche Hochschule für Bildende Künste – Städelschule (Städel) at the time....

“The visual harmony of the landscape is disturbed by a screen that allows us to see into the distance (television). The film is composed of six...

“The structure of human vision is the visual knowledge of the world. Individuals do not visually understand the world through the eyes, but...

“One can not speak of time as a thing in itself. It is movements and variations that give the feeling of time. Men have always linked time and...

“This film offers a metacinematic study of tempo and change and a figure of velocity. […] Ota recorded [three different locations in...

“The ‘exhibition’ held by ‘artist’ Katsuhiro Fujimura in Tokyo during the very hot summer of 2013 was one that made...

“There was an art event at a closed school, Kataura Junior High School, in Nebukawa, Kanagawa Prefecture. If I did not participate in this...

Han closes a trilogy that began with Ere erera baleibu... (1968) and continued with Impressions en haute atmosphère (1991), which goes from...